One scene, four cameras!
A bit of fun after Czech Christmas Day lunch!
Steve
A bit of fun after Czech Christmas Day lunch!
Steve
29th December, 2021
I concluded the previous blog post by saying that our time in Kumana National Park ended with a surprise experience that nobody, safari first-timers or not, would forget.
The sun was already setting and we were making our way along the very bumpy track as quickly as we reasonably could. This was in order to be out by sunset itself when the overnight curfew commences and by law the animals have their natural environment to themselves, undisturbed by human activity. I had just commented that my only disappointment of the day was the absence of leopard for our visitors to experience when not thirty second later as the track gently curved back to the left and up an incline, we were presented with a nearly full-grown adult sprawled out in front of us! The image above sets the scene on the rising track.
As we came abruptly to a halt and looked on in stunned silence, the leopard nonchalantly turned its head to gaze in our direction before turning back as if we weren’t present. Niki made us laugh though by getting young Adam’s attention by saying in the Czech language as she pointed, “Look, Adam. A big cat. Meow!”.
Over the next few minutes it casually went about preening itself with no intention at all of moving and we were then presented with a challenge; how to leave the park in time to avoid an interview without tea and biscuits and the prospect of a fine and ban for our driver? We were going to be late anyway as by now the sun had set and it was getting properly dark, but we didn’t want to arrive in full darkness and incur the described wrath.
Keeping our limbs well within the vehicle we drove right up to the leopard before it looked up at us one final time and as casually as all along, rose to its feet and sauntered off to our right. After pausing behind a tree to check its surroundings, it meandered off down the track without a further look back. It was gone, and we still had the hairs on the back of our necks stood up through this closest of close encounters. Amazing.
Looking at the photographs I had taken we could see what a hard life it actually is being a leopard and having to kill for your food; although still relatively young this one is already pretty battle scarred.
Eventually we reached the park exit, now in the pitch black of night and as required having driven down the narrow and bumpy track without lights. Still with no lights on at the exit and with the exit area in total darkness too, it was a surreal experience. It was clear we were going to be in deep trouble, especially as the exit barrier was locked firmly down. Oh dear. As expected there was a definite interview without tea and biscuits for our driver. I won’t write the outcome here as this blog is in the public domain, but eventually we were free to leave and endure yet another 9.5 miles (15 kilometres) of being thoroughly tossed around in the back of a Mahinda Bolero on crude leaf spring suspension on a completely unmade track, before we were back on a metalled surface for the easy drive back to Arugam Bay.
We were all filthy dirty from the dust and exhausted from the excitement and continual bracing for the bumps, but what a truly fantastic, unforgettable time we’d had. Adam, not yet three years old, had been amazing and tolerated it all for the enthralling moments he’d had. Although back in the sandy environment of cabanas on the beach, the showers we each took were wonderfully refreshing, as was sitting quietly with a drink whilst we recalled the day.
For the photographers: This was the first time I’d put my Canon R5’s eye tracking focus to the test in low light and found it incredible. With the truck rocking merrily through eight people all trying to get a view it made all the difference as I could concentrate on stability and framing without worry about keeping the focus hair on the eye nearest the camera as well; with back button focus depressed with my thumb, the camera did it for me with unerring accuracy and not a single miss each time I pressed the shutter with my forefinger. I was also impressed with how the R5 and 5D mk IV have handled the very high ISO that was necessary to shoot with shutter speeds fast enough to stop blurred images, and likewise with the detail and colour saturation that has been preserved in the rapidly decaying light. Apart from the eye focus I used each camera manually so that I was in control and am thrilled with the results.
I hope that you enjoy living the moment with us.
Steve
29th December, 2021
Rennie will write of our Christmas holiday, but during it we had the pleasure of visiting Kumana National Park and the privilege of taking Rennie’s Mum and our friends-like-family Martin, Niki and young son Adam on their first ever safari.
High on the list of hopeful sightings was elephant in the wild and we weren’t to be disappointed. Two hours after arriving we came across another 4×4 coming in the opposite direction, and on the drivers stopping to compare notes through their windows we learned that they were beating a retreat having been chased by an elephant not far down the track. After briefly continuing, our driver decided that discretion was the better part of valour and we turned round too but it wasn’t long after that we had our first sighting anyway; the magnificent fully grown adult coming out of the undergrowth as shown in the image above.
For an extended period we kept each other company down the track at a respectful distance, but close enough to experience the majesty of one of these largest of mammals. At one point we went ahead to a bird observation tower and the only place in the national park where it is permissible to alight from a vehicle, in order to watch the elephant pass. After a brief photo opportunity where Misa and Emilka climbed on to the roof of our 4×4 we realised that the elephant was upon us and there was no time for Rennie’s Mum to safely climb the stairs out of the way. She therefore hopped in to the cab and our driver whisked her away until the elephant had sauntered past, whereupon she was brought back!
We saw plentiful other wildlife too, a glimpse of which you will find in the photos – and had a fantastic surprise as we were driving to the exit at sunset. More on this in the next blog post. Nobody, first-timers or not was about to have a day they’d forget.
Steve
10th December, 2021
As Rennie will tell you, I keep a camera to hand on the sideboard ready to shoot sunsets at a moment\’s notice. The lighting changes so quickly – and the sun moves so quickly too relative to the horizon – that you have to be ready.
I was rewarded today with the first clear disc touching the horizon that we have had in a long time – and what a day to have it on with Naval vessels moored in the foreground.
Fantastic!
Steve
8th December, 2021
Late on Wednesday night I was presented with a real photography challenge; shooting these two vessels at anchor just off our balcony but sitting in an inky void of black; in reality, much darker than shown here, there being no visible light reflected from the shore even with eyes fully adjusted to darkness.
Now add two moving targets so no chance of a truly low shutter speed to help matters. For the same reason, no chance of a five image High Dynamic Range composite either to cover all the bases from pitch darkness at one extreme to the brightness of a naked bulb at the other.
Careful experimentation and years of experience was the answer, this including a lesson learned a long time ago from theatre photography of timing shutter release with the split second of minimum movement – in this case, watching how each vessel was reacting to the swell and shooting the image when both were briefly paused in unison. The camera was a great help with this because I was able to set the viewfinder to act like battlefield night vision goggles, greatly amplifying image brightness and without having to use the rear panel display that would have ruined my natural night vision for both eyes.
With a rock-steady tripod and locked gimbal, the result of good timing was being able to get away with an exposure of 1/3 second – absurdly slow for a maritime target on water. The resultant raw file was processed in DXO PureRaw to clean up digital noise, and then in Adobe Lightroom lifted two stops of exposure and cropped to 16:9 aspect ratio.
That was it. Like when decorating, the real work was in the preparation.
As an aside; there is a saying that the best camera in the world is the one you have with you – and for most people, most of the time that’s a smartphone. For most shots, it’ll work with acceptable quality and the emergence of computational photography now allows these devices to start capturing great shots that would not even have been a pipe dream just a few years ago.
To put this image in to perspective though, click the thumbnail below to see what my Samsung S10 made of the same scene. I am sure that in years to come smartphones will continue to improve but for now at least, the difference is stark and the technological powerhouse that is a Canon R5 (and some computational photography with the noise reduction software), deeply impressive.
Steve
As you’ve read in Rennie’s post about a pause in Christmas baking and will read more about in another post shortly, all five of us have had a very unpleasant time of late due to each of us becoming infected with Covid-19.
It was therefore a delight to have something to watch from our balcony when a flotilla of Sri Lanka Navy vessels started to drop anchor on Wednesday morning, 8th December. A quick internet search gave the reason why this was happening; it would be the Navy’s 71st anniversary on 9th December. The reason why frogmen had been busy during the week before and marker buoys being left behind also now becoming apparent.
Each vessel made a direct line to its buoy, slowly and purposely and most with a spotter on the bow giving directions to the bridge. At the appropriate point there would be a splosh went the anchor went down and the vessel would come almost imperceptibly to a halt.
Quite an internationally drawn collection it turned out to be with two former US Coastguard Cutters from the Sixties (P621 and P626) gifted to Sri Lanka a few years ago on their retirement from US service, two former Israeli Navy missile attack boats (P701 and P702) gifted to Sri Lanka in 2000, two former Australia Coastguard patrol boats (P350 and P351) gifted to Sri Lanka in 2014, and an advanced offshore patrol vessel (P624). The latter was both the flagship and the newest vessel in the flotilla being purchased from India’s Goa Shipyard in 2016 and entering service with the Sri Lankan Navy in 2018. It looked all glam at night as you will see shortly, but in the harsh light of day could clearly benefit from a nice lick of paint.
For the photographers; all the images taken in strong sunlight benefited from a circular polarising filter to reduce glare from the water and help the vessels ‘pop’ without needed to resort to post processing techniques. The third and fourth images below also show why a lot of advertising photography is done at the crack of dawn with soft, pink, natural lighting. The first of this pair of images was taken at 05:50am, quarter of an hour before sunrise and the second exactly at sunrise. From cold to warm colours without touching a thing.
Steve